Becoming an Instructor
In the past few years, a lot of pole studios have opened up—meaning that more and more, qualified and experienced instructors are in pretty high demand. Quite a few established pole dance studios have their own instructor training program. Some include pole move instruction. Some focus on showing you how to teach and assume that you have basic knowledge of pole dance already. Some include information on opening and managing your own studio. The cost can range from several hundred to several thousand dollars and the in-class time can range from a week to a weekend. Some have been reviewed by larger fitness organizations, like ACE or AFAA, and by taking the instructor training program you will earn continuing education credits to apply towards renewing your AFAA/ACE group fitness certification.
I think that for anyone navigating the plethora of choice out there, it can definitely be overwhelming. There isn’t yet a program that has emerged nation-wide as a clear and accepted standard across the industry, and it can be a significant investment of time, energy, and money to take any of these certifications, especially if you need to include traveling expenses. Think carefully about what you are hoping to gain. What skills will you be strengthening? Who is the lead trainer for the program, and what are their philosophies on teaching? Do you know anyone who has taken this program, and can give you feedback?
Of course, the secondary question is: If you don’t already teach somewhere, and are hoping to begin, why do you want to teach? Is this truly your passion or a way to pay the bills?
I don’t have as much experience in instruction as some people, but I will say that I have been a student for a long while, and I think that was really critical in my own development. It enabled me to come up with pretty specific ideas on what kind of teacher I wanted to be.
When I was planning out my transition to teaching, I decided that the first thing I should do was to take as many classes as possible, in as many studios and types of movement as possible, to learn more about how others teach. I took class in every pole studio in NYC with as many different people as I could, went to all the major dance studios and circus schools, and took pilates and yoga classes up the wazoo. I learned a ton about different verbal and nonverbal cues, warmup exercises, and different ways to apply and explain a correction. It was also invaluable to see the ways that the teacher controlled the class, kept up the energy level, and encouraged camaraderie and friendship within a group… or failed to do so. I quickly realized that half of being a good teacher is actual instruction, but the other half is managing people.
Instructing well is relatively straight forward. Being a good student or amazing pole dancer does not mean that you have the skills to be a good teacher. Learning how to break down a trick or troubleshoot exactly what a student is doing wrong takes experience and a different mindset than being a student– and is something that you get better at with time. It took me years before I felt comfortable with that ability with my own pole classmates, nevermind a paying student! You need to be able to completely step into someone else’s brain to understand how they learn and figure out how to translate your teaching into their language. Some people need to know exactly what muscle is engaging, some need to watch you do it a few times, some need to just try it over and over again and have you correct them until they get it right. When you teach, you have to completely let go of your ego and assume: “if this student does not understand, it’s because I’ve done something wrong in teaching. I may not be explaining well enough, or pacing the class incorrectly, or introducing skills that my students aren’t ready for yet.”
Learning to manage the personalities and energy in a class is really difficult, and just as I’m learning more about the technical side of instructing every day, I’m still learning this aspect of teaching as well. I think that students can clearly see passion, joy, and enthusiasm, and they will reflect it back to you if that’s what you’re putting out. If you are happy to be there, then students will feel it and appreciate your energy. If you hear a student being self-defeatist, or negative and down on themselves, and you nip it in the bud with honesty, empathy, and encouragement that comes from a genuine place, then you will help plant seeds of self-confidence. You have a lot of power as a teacher, and if you don’t have pure intentions, or are motivated by any kind of selfishness, you are doing a disservice to the students who pay money to spend time with you. If you foster a respectful relationship with each student in your class, and give of your time to everyone equally without favoritism, then students will see that they don’t have to be “good,” or put pressure themselves, to have fun and feel worthwhile. And that kind of positivity spreads.
I think that to be a good teacher, you have to actually like and enjoy teaching others. I think you should think carefully about why you want to teach, because if you’re not excited about it for the right reasons, then you are putting your students in harm’s way by not being as conscientious and serious about teaching as possible. Some people see teaching as the “next step” in a typical pole journey– once you get “good enough”, you teach. It’s not. Teaching isn’t for everyone, and you lose time to work on your own progression as a student. It’s a sacrifice, and the inherent reward of teaching needs to be enough.
I started teaching without any certification. I work for a studio that did not require it, but as time went by, I knew I wanted to learn more about the body. I took the group fitness instruction course from AFAA, which forced me to really memorize more about the physiology of the body, reinforced my informal learning, and gave me a stronger framework on which to build all the new knowledge I have picked up. And strangely enough, the turning point for me—when I really and truly felt like a teacher—was after I got my CPR/AED certification.
There was a moment at the end of the CPR/AED class, when the instructor told us something along the lines of: “you may or may not pass your written test. If you do, and you get the certification card, and you carry it in your wallet, you know you have the choice to help when you see someone who needs it. But taking this course gives you responsibility: if you pass that person by, who else may be able to really help them?”
That little speech made a huge impact on me. Being a good instructor and a responsible human being is a choice you make every day. You are in a position to help people as much as you are mentally and physically able: how seriously will you take that?
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Tomorrow’s post: Thursday Tunes…

SUCH a great entry Amy!! People do often assume teaching is the next progression once one becomes “good enough.” None of the teachers at Poletential have any sort of official pole certification. But they are some of the best teachers I have ever seen. You can’t teach someone to be a good teacher. And your point about sacrificing your own pole growth by becoming a teacher is so true. Thanks for writing this.
I think it’s easy to see that having a certification is only as valuable as the people who wrote it… and it doesn’t make or break an instructor and I think it’s important that people recognize that as well!!
Ellen, I’m so loving what you said here. I love the pole. I love the art and yes, I LOVE to watch the art of it by some of the most beautiful, talented, and strong athletes that I’ve ever seen. I’m 51. Born 25 years too soon. I wish I could do what Amy, Felix, Jamilla, Fawnia, and my 3 instructors, Kyra, Marlo, and Michelle…let’s not forget Lindsey…OMG, she makes the mermaid move look as fluid and beautiful…it took my breathe away. I’m a business woman who bought the x-pole a year ago, lost 50 plus lbs, just using it as my vertical ballet barre. I am a true dancer, ballet, jazz, toe, love Burlesque, belly, and a new passion for chair dance. I want to open a studio…realistically, I need to hire instructors to teach the inter/advanced classes. I’m not going to count out what I can do…drive/passion there, body is willing…however, at 51…I know my limitations. I’m more willing to hire teachers so I won’t have to sacrifice my pole growth. I can teach burlesque, chair, freestyle, etc. Thank you, for writing your post. Good luck to you always. Suzi Polz…aka DaytonaDancer
That is true…students do assume that the next step is teaching after they have been pole dancing for a while. But it takes a certain type of person to teach this movement….and some people lack a very important skill…Patience! I am sometimes very disheartened by the way some teachers just lose patience or dont give them something else to work towards.
I think a big thing that happens is that some teachers,once they become so advanced in their own dance practice, they forget what it is like to be a beginner student. Its weird…b/c for me when I teach that is all I think about…LOL (how hard that move was for me when I was first learning it) But I do respect the fact that some instructors just need to be advanced instructors. Beginner/Intermediate is just not for them. It just sucks when they are teaching beginners when their hearts are just not into teaching students at the beginner/intermediate level. It bores them.
Lastly…I have found out that many good performers are not good teachers. But again some people just have the talent to be a great performer but I have quickly found out that does not always translate to them being good instructors
Great Post Amy
I think that some instructors are better off instructing advanced students, and it’s true that instructing advanced students is generally “easier” in that students pick up tricks much faster and can be more exciting to teach. But, as an advanced student, I am even MORE picky about having an instructor who can truly break something down and explain properly now than I used to be, and even more wary of possibly hurting myself.
You’re absolutely right– remembering what “beginning” is like, is difficult! And clearly, performing vs teaching are two VERY different skillsets, another great point. Patience is such a virtue with teaching and it’s disheartening when I’ve heard of students not being treated with the same respect and patience that everyone should.
Thanks for the great article. It is nice to know that others may have similar experiences, challenges, and overall impressions of navigating the big and sometimes not so big world of pole dance instruction. It can really be the most rewarding experience, and it also can be such a challenge. Sometimes I feel such a great connection with my students and then somedays I can’t connect my thoughts in front of a room full of women on poles. There is balance and both pole dance and especially pole instruction. I appreciate reading someone else’s thoughts and it is nice to know what is in others peoples heads that wear similar shoes as mine!
We may be superhero teachers but even Superman has his kryptonite. We all have off days! Days when you just can’t get through to a student and you feel awful. Days when you realize that you have lost your teaching inspiration. Days when the passion and energy just isn’t there. But then there are the horrible days that suck, suck suck so bad, and then you get into the studio and teach a great class, and your whole day is better off. =)
i love this entry.
I’ve so enjoyed all the post’s on this subject. I’m learning so much…thank you all.
[...] I’ve said before that if you foster a respectful relationship with each student in your class, and give of your time to everyone equally without favoritism, then students will see that they don’t have to be “good,” or put pressure themselves, to have fun and feel worthwhile. And that kind of positivity spreads. A repeat student is not just a retained client. A repeat student is not just a supporter of your studio. A student is not just someone who is a generator for good reviews or publicity. As Lady Gaga said, sometimes you have to put your trophies away. You should never rest on our laurels as a teacher. No matter how tired you are, how much you may want to go home, how crappy of a day you had, or the fight you just had with whoever, you should still always try your best as an instructor. Because while it may be “just another class” for you to teach, that could be the one hour that student has to truly forget about their horrible day. And they’re paying. [...]
[...] I’ve said before that if you foster a respectful relationship with each student in your class, and give of your time to everyone equally without favoritism, then students will see that they don’t have to be “good,” or put pressure themselves, to have fun and feel worthwhile. And that kind of positivity spreads. A repeat student is not just a retained client. A repeat student is not just a supporter of your studio. A student is not just someone who is a generator for good reviews or publicity. As Lady Gaga said, sometimes you have to put your trophies away. You should never rest on our laurels as a teacher. No matter how tired you are, how much you may want to go home, how crappy of a day you had, or the fight you just had with whoever, you should still always try your best as an instructor. Because while it may be “just another class” for you to teach, that could be the one hour that student has to truly forget about their horrible day. And they’re paying. [...]